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February 26, 2010

Stream Horseland: To Tell the Truth Online

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Movie Title: Horseland: To Tell the Truth
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My kids worship the horseland series and I am always so gay to earn a original video.

Our 4 1/2 year faded is at that stage where she can handle a bit more complexity than the average video, and the Horseland series fits the bill well. And the stories have gigantic morales that I hear her repeating afterwards. Try this one, and if they like it, hold the whole set; they’re cheap passe on Amazon.
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February 24, 2010

Buy Nazca - Blood Rivals Online.

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I’ll admit I haven’t seen very grand of this, but it definitely has an though-provoking premise. It is very Aztec, has lots of fighting, but it doesn’t effect a whole lot of sense. Definitely better than the “Fist of the North Star”, but it doesn’t compare well to things like “Represent of Lodoss War”.

This anime takes a lot of historical refernce and deep reali life social diliema’s and brings them together in a location that takes most people by surprise. Most people are mature to the calssic overly dramatized styles of now a days, Nazca doesn’t exercise them and that can throw some people off, but when you grasp it as precise life aspect, instead of over done drama it’s an aesthetic and intruiging chronicle.
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February 22, 2010

Watch Green Street Hooligans Movie Online

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Movie Title: Green Street Hooligans
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“Green Street Hooligans” sets a family drama and coming-of-age legend in the world of football (soccer) hooliganism. Matt Buckner (Elijah Wood) was a promising journalism student before he was expelled from Harvard University over his roommate’s cocaine stash. Suddenly aimless, Matt wanders to London to visit his sister Shannon (Claire Forlani) and her British husband Steve (Marc Warren) . When Matt tags along to a soccer game with Steve’s brother Pete (Charlie Hunnam), he finds that there is a lot more to soccer culture than the game on the field. Pete is a member of a football firm or gang called the Green Street Elite (GSE) . Firms are organizations of fanatic fans who battle other firms for reputation and dominance -by beating the crap out of each other. Matt is attracted to the high energy, misfortune, and physicality of the GSE and embraces the lifestyle. But eventually word gets around that he might be a journalist - and hooligans dislike coppers and journalists.

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I couldn’t say how accurately “Green Street Hooligans” represents the dynamics of football firms or the relationships of their members. But the film does provide a window into a subculture that is approved in the UK and South America, where soccer reigns supreme, but which Americans may never have heard of. Contrary to the American cocept of gangsters, soccer hooligans are neither Mafioso nor errant youth. They are grown, middle-class men who function perfectly well in normal jobs. But outside of work and domestic obligations, they are completely lawless. They happily adopt a brutality that could leave them unimaginative or maimed in the blink of an scrutinize. “Green Street Hooligans” requires some suspension of disbelief to secure more mundane behavior. Would Steve really send his naïve Yank brother-in-law to a soccer game with his estranged hooligan brother? No. That kind of illogic is current in this film. But the culture of hooliganism, the allure of their violence, is at the same time dull and bewitching.

The DVD (Warner 2006) : “The Making of Hooligans” (6 min) is not about making the movie. It is a series of interviews with actors Elijah Wood, Claire Forlani, Charlie Hunnam, director Lexi Alexander and producer Deborah Del Prete which discuss the characters and the phenomenon of football firms. There is a music video for the song “One Blood” by Terence Jay, which sounds uncannily like the Dire Straits’ song “Brother in Arms”. Terence Jay also acts in the movie. He plays Matt’s elite WASP Harvard roommate, the cokehead. Subtitles for the film are available in English, French, and Spanish.

Of everything written about this slight film starring Elijah Wood and Charlie Hunnam, the most animated is to witness the lukewarm reactions from the UK side, which found the film is too violent, and dismissed it as implausible. And it must be admitted that they are complaining with some noble reasons.

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For the film is really violent, and Elijah Wood may be the least plausible choice for making a film about the hooligans, almost fanatic supporters of football team in England. Elijah Wood plays Matt, a Harvard college undergraduate student wrongly expelled because of his irresponsible roommate. Matt flies to the home of his married sister (Clair Forlani), and there meets his brother-in-law Pete (Charlie Hannam), devoted leader of the Green Street Elite, bunch of the hooligans supporting West Ham United.

The set-up fragment is contrived, but you should wait a while. Soon the film’s narrative leads us to its gist, about how Matt (estranged from his father now in Kabul) finds his unusual existence in this underworld of the `Firm’ and its hooliganism. The film does not fail to prove the complexity of the characters. The members of the `Firm’ have jobs to do when there is not a game (hold me nor not, one of them is an airplane pilot by profession), and not exactly poor guys at all, but when it comes to football games and the rivalry between the Firms, they turn fierce and unstoppable street fighters who have their occupy rules to follow. You cannot say the script is an in-depth observe of hooligans, but detached sterling enough to beget us care its characters.

Besides its violent scenes, the criticism we hear against `Green Street Hooligans’ is about its cast, Elijah Wood in particular. Yes, the star of blockbuster hit `Lord of the Rings.’ Throughout `GSH’ Elijah Wood never looks like a hooligan. For all Matt’s repeated bloody fights, he calm looks a visitor or outsider in the Green Street Elite, but that is the point of the film because he is there to provide the viewpoint from an outsider. And some UK reviewers complained about the accent of Charlie Hunnam. I don’t know because I do not have powerful linguistic knowledge, but to me his acting as charismatic Pete looked very honorable (though Leo Gregory as discontented GSE member is more impressive, as you will seek) .

More serious dilemma with `Green Street Hooligans’ is its extraordinary and too convenient coincidences in the myth, which makes the whole film too melodramatic. Matt happens to have done two (or more) things, which results in a sizable predicament. The far-fetched region looks totally out of position among the gritty descriptions of hooliganism, and Claire Forlani’s character always remains a typical lady-in-distress image, which is another cliché in the filmmaking. German-born director Lexi Alexander sticks to the realistic advance to the street fight sequences (with blood and dirty words), but she somehow is bellow with the autopilot direction when showing several episodes that are not directly related to hooligans.

But I was intrigued with the main account about the friendship between males, or kind of combat camaraderie depicted in `Green Street Hooligans.’ I know this is not the only film about hooliganism - for example, `The Football Factory’ and `The Firm’ (starring Gary Oldman, not Tom Fly) - but `Green Street Hooligans’ is worth a behold even though you don’t know football for its strong and compelling main memoir.
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February 19, 2010

Stream The Ultimate Johnny Carson Collection - His Favorite Moments from The Tonight Show (Vols. 1-3) Online

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I himmed and hawed about purchasing the Carson DVD package. I always loved Johnny’s anniversary shows where he would smash out outmoded clips from over the years along with the highlights of the year impartial ended. So the package seemed intringing, but I decided to rent first. Friendly decision.

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It is not that the roar of the shows is unpleasant. Far from it. It’s objective woefully short on material to clarify the rather steep pricetag of a 3 disc space. Conception that a lot of the tapes from the early years were destroyed years ago, there peaceful had to be over 20 years of material to place together several more hours. Instead, there is a “Best of the 60s/70s”, “Best of the 70s/80s” and “Best of the 80s/90s” segment, each about 45 minutes each. Many of the classics are here (the Ed Ames hatchet throw, George Gobel’s brown shoes joke, the marmoset using Johnny’s head as a restroom, Jimmy Stewart’s poem about his dog Bo, even a very laughable intro of future president Clinton), but there had to be more. There were no Floyd R. Turbo (who I mediate the first legal coast militant) bits nor was my current Carnac the Resplendent moment included (the retort is Sis-Boom-Bah, the question: What sound does an exploding sheep design) . The latter omission is appealing because I seem to choose Carson saying at one time that that bit garned the biggest laugh in the show’s history.

There’s also Carson’s last shows, which I actually already have on tape, so other than a better characterize, it doesn’t do it for me. There’s also a demonstrate from 1982 when Johnny went abet home to Nebraska to visit archaic hangouts and friends that was challenging.

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In summary, some astronomical moments, but there should have been more!

As one of the millions that sorely miss the wit and wisdom of Johnny Carson, I was especially gratified to receive this “best of” DVD collection. The three DVD’s feature the best moments from the prove - divided by decade - from the 60’s through the 90’s, and also include the complete second-to-last exhibit (with Bette Midler and Robin Williams) and the final display, along with a documentary on Johnny I had never seen before. The remastering quality is substantial. There is a fun microscopic short film called “Pain Johnny”, and one of the most enchanting things about the DVD’s are the ISO CAMS, that allow you to bewitch the camera angles to notion some of the programs. You can even conception scenes from Johnny’s perspective. The menu options are terrific, and the packaging very deluxe. If you are a fan of classic television, this is a gargantuan addition to your library - and I thought to send them as gifts to family members I know miss Johnny too.
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February 17, 2010

Buy Doctor Who - Timelash Blu-Ray

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“Timelash” has long been maligned as the worst fable from one of “Doctor Who”’s weaker seasons. Everyone, it seems, has a different explanation as to why “Timelash” failed: the fault might lie with the guest actors, or with the director, or the writer, the producer, the spot designer… Everyone, unprejudiced this once, is fair.

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“Timelash”’s script is a mess, and that’s the fatal flaw. There’s too worthy going on and the destroy result is less than the sum of its parts. There’s an interplanetary war, a deformed dictator (fragment man, piece plesiosaur), some no-nonsense rebels (played here by a elegant young woman and a bald stout guy), a bunch of squabbling Senators, a time corridor in set… and a young H.G. Wells. The characters are by and gargantuan one-dimensional, and the dialogue is mostly woeful. Nothing that happens on the planet Karfel ever really engages the viewer… except for Paul Darrow.

Best known for his role on “Blake’s 7″, Darrow came to this epic expected to turn in a similar performance. Instead, he wanted to perceive unique waters by playing his character as Richard the Third. He delivers, in the destroy, a sarcastic, pompous, oily performance that would have worked really well… had any of the other guest actors been up to the challenge. Instead, he sticks out like a sore thumb. As Darrow says in the DVD’s making-of featurette, the yarn really does obtain tedious once his character exits, midway through the final episode.

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The making-of documentary, by the map, is one of the DVD production team’s liveliest efforts thus far. Several members of the production (cast and crew) spread the blame around. Script editor Eric Saward, as he always does, blames the producer, a man who’s been tiring, for years. He does point some of the blame at the episode director, but then blames the producer for hiring said director in the first residence. As a result, these 20 minutes are far livelier than anything that happens during “Timelash” top-notch.

“Timelash”’s strength is in the remark acting. Three men alone were up to the task of adding gravitas to their lines: Colin Baker (the Doctor), Darrow, and Robert Ashby (the plesiosaur), who reportedly wrote his have ripostes when the script failed him: “Another expedition into the realms of duplicity”. Separated from its drab sets and heard only as an audio play, “Timelash” might offer some moments of correct menace.

Unfortunately, apart from those three performances, the rest of the guest cast are objective going through the motions, likely as confused by the account as were the script editor and director. “Timelash” winds up a unimaginative misfire, not as awful its myth has grown, but certainly not worth the DVD shroud ticket unless you’re a completist.

Timelash is an ok record. The sets are at times cheap, (yes, that’s tinsel in there), the acting of a highly variable quality (the regulars do give very respectable performances here, it’s the guest cast that is, at times, the spot), and the script is average. But it is aloof a fun to see sage. The broad thing about is the imagination carries it. So remarkable of Doctor Who from this period is horribly derivative and obsessed with past continuity and villains etc. This fable has very diminutive of that. We are shown (rather cleverly I idea) that the Doctor in his 3rd incarnation has been to this planet before. But the legend itself is a safe customary Doctor Who fable that stands on it’s beget. We do have another ghastly inflamed man leering at Peri, but oh well. There is also a bit of controversy about what happens to the Borad (this story’s awful guy) in the slay. It does contradict the 4th Doctor Who account Anxiety of the Zygons and it’s information on the origins of the Loch Ness Monster. As for the DVD itself, this release is a bit light on extras. It features a commentary track by actors Colin Baker, Nicola Bryant and Paul Darrow. It also has a current documentary, The Qualified, the Poor, and the Shocking (dur. 25′ 01″), which looks at the making of the record. It features actors Colin Baker, Nicola Bryant, Paul Darrow, David Chandler, Robert Ashby, script editor Eric Saward, writer Glen McCoy and journalist Paul Lang, and is narrated by Terry Molloy. It will also have a photo gallery, production notes subtitles, and the Radio Times listings in pdf format. I would agree with the first reviewer here, this is a broad beer and pizza Doctor Who legend. It certainly is not the strongest of Colin Baker’s era (Vengance on Varros and Revelation of the Daleks are expedient in almost every blueprint to all other 6th Doctor stories), but it is tranquil quite luscious and features many elements of strong traditional/classic Doctor Who.
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February 16, 2010

Watch Combat Classics 50 MoviePack Movie Online

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Movie Title: Combat Classics 50 MoviePack
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The Combat Classics 50 Movie Pack consists of war films primarily residence during World War II that have fallen into public domain. As fans of the Mill Creek Entertainment products have advance to put a question to, the quality of the transfers in this boxed region range from attractive to first-rate, but the entertainment value of these movies is better than usual. There are no documentaries included in this dwelling and only a handful of foreign films shot using a figurehead American star TV movies are incorporated. I’d have given plump marks, except for one famous caveat - 25 of the 50 films listed can be found in other Mill Creek 50 Movie Packs: 17 were included in “War Classics”, 5 in “Action Classics”, 2 in Historical Classics and 1 each from “All-Time Classics” and “Hollywood Legends”. In fact, the mediocre `Yellowneck’ has been now been included in three different 50 Movie Pack collections. Since the recently released “TV Favorites” 150 episode pack includes 100 episodes previously included in other sets, this is a disturbing trend.

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Here are the films, stars and ratings (on a 1 to 10 scale from a accepted internet movie website) :

The Adventures of Tarfu aka Sabotage Alert (1943) (6.8) - Robert Donat, Valerie Hobson and Glynis Johns

Aerial Gunner (1943) (6.1) - Chester Morris and Richard Arlen

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Battle of Blood Island (1960) - Richard Devon

The Battle of El Alamein (1969) (5.1) - Frederick Stafford, George Hilton, Michael Rennie

Battle of the Eagles (1979) (5.5) - Bekim Fehmiu

The Mammoth Select (1950) (6.4) - Montgomery Clift, Paul Douglas

Black Brigade aka Carter’s Army (1970) (5.0) - Stephen Boyd, Susan Oliver, Robert Hooks

Blood on the Sun (1945) (6.1) - James Cagney, Sylvia Sidney

Bombs over Burma (1943) (5.6) - Noel Madison, Anna Mae Wong

British Intelligence (1940) (5.8) - Boris Karloff, Margaret Lindsay

The Bushwhackers (1952) (5.6) - John Ireland, Wayne Morris, Dorothy Malone

Commandos (1968) (5.6) - Lee Van Cleef, Jack Kelly, Marilu Tolo

Corregidor (1943) (5.0) - Otto Kruger

The Dawn Verbalize (1942) (5.4) - Michael Whalen, Anne Nagel, Constance Worth

Desert Commandos (1976) (4.8) - Ken Clark, Jeanne Valarie

Drums in the Deep South (1951) (5.8) - James Craig, Guy Madison, Barbara Payton

Eagles in a Cage (1972) (7.1) - John Gielgud, Ralph Richardson, Billie Whitelaw

Go for Broke (1951) (6.9) - Van Johnson

Gung Ho (1943) (5.9) - Randolph Scott, Robert Mitchem

Hearts in Bondage (1936) (6.3) - James Dunn, Mae Clarke

Hell in Normandy (1968) (4.9) - Guy Madison, Erika Blanc

Hitler’s SS: Portrait of Sinful (1985) - John Shea, David Warner

Identity Unknown (1945) (7.2) - Richard Arlen, Cheryl Walker, Lola Lane

Immortal Battalion (1945) (7.3) - David Niven, Stanley Holloway, James Donald

Iron Angel (1964) (3.6) - Jim Davis, Don `Red’ Barry, L.Q. Jones

Kansas Pacific (1953) (5.9) - Valid Hayden, Eve Miller

The Lady from Chungking (1942) (5.8) - Harold Huber, Anna Mae Wong, Mae Clarke

The Last Chance (1946) (7.7) - Ewart Morrison

The Marines Are Coming (1934) (6.4) - William Haines, Esther Ralston, Armida, Conrad Nagel

The Trace of the Hawk (1957) (4.7) - Sidney Portier, Eartha Kitt

Minesweeper (1943) (6.1) - Richard Arlen, Jean Parker, Russell Hayden

Mutiny (1952) (4.9) - Impress Stevens, Angela Lansbury, Patric Knowles

The Navy Diagram (1944) (5.6) - Robert Lowery, Jean Parker, Bill Henry

One of Our Aircraft Is Missing (1942) (7.3) - Godfrey Teale, Pamela Brown, Eric Portman

Outpost in Morocco (1949) (4.2) - George Raft, Marie Windsor, Akim Tamiroff

Pacific Inferno (1979) (3.8) - Jim Brown, Richard Jaeckel

Prisoner in the Middle aka Warhead (1977) - David Janssen, Karin Dor

The Proud and the Damned (1972) - Chuck Connors, Cesar Romero

Spitfire aka The First of the Few (1942) (7.1) - Leslie Howard, David Niven

The Steel Claw (1961) (5.5) - George Montgomery

Submarine Alert (1943) (5.8) - Richard Arlen, Wendy Barrie

Submarine Noxious (1943) (4.0) - John Litel, Eric Blore, Fifi D’Orsay

Sundown (1941) (5.8) - Bruce Cabot, Gene Tierney, George Saunders

Then There Were Three (1961) (nr) - Barry Cahill, Alex Nicol

They Raid by Night (1942) (4.4) - Lyle Talbot, June Duprez

This Is the Army (1943) (6.1) - George Murphy, Joan Leslie

Three Came Home (1950) (7.3) - Claudette Colbert, Patric Knowles

The Torch (1950) (5.1) - Pedro Armendariz, Paulette Goddard

War Devils (1969) (5.5) - Guy Madison

Yellowneck (1955) (3.6) - Lin McCarthy, Berry Kroeger

As an avid WWII movie buff, I found most of this collection features older movies (30 from 1940 - 1959) with another 10 from the 60’s and half a dozen from the 70’s. There were even two from 1934 and 1936. Most of them are worthwhile with a few ‘duds’ thrown in to execute the magical number of 50. For instance, I don’t contemplate many of us would inquire Mexico and Pauncho Villa to be included in a ‘Combat Classic’ Collection. Realizing the cost and hours of entertainment to be realized, it was exquisite for the most allotment. Don’t ask all of them to be top knotch movies but if you luxuriate in older movies then you’ll score this collection worthwhile.
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February 11, 2010

Stream Rush Movie Online

Filed under: Rush — Tags: , , , , — robertobooth1975 @ 11:24 am
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Every citizen who desires to seriously think about our nation’s overall drug policies needs to view the 1991 movie “Rush.” I finally decided to do a long overdue community review of this controversial film after reading today’s edition of the “Houston Chronicle” newspaper. My local major daily ran a story concerning undercover police officer Barbara Markham alleging to have been fired in 1997 by the Chambers County Narcotics Task Force for alerting her supervisors that a paid drug informant was filing false reports. The informant who was under the protection of the police hierarchy simply assumed that Officer Markham would look the other way when he lied to obtain convictions. An out of court settlement to Markham eventually resolved the matter. Very little appears to have changed since Kim Wozencraft wrote a quasi fictional account about her own experiences of some twenty-five years ago. History merely repeats itself.

I must be cautious, however, not to merely stress the indirect educational aspects of “Rush.” This is also a great film, perhaps even a masterpiece, that ranks among the very best I have ever seen. The virtually unknown director Lilli Fini Zanuck put together a fast pace and riveting story. It offers little comfort to those who glamorize drug use. Ditto for the forces adamantly opposed to legalizing such self destructive behavior. True believers of either stripe will dislike “Rush’s” brutal honesty and unwillingness to surrender to staunchly held prejudices. Jennifer Jason-Leigh is perfectly cast as the fresh police academy graduate assigned to her first police job. Any previously embraced idealism is quickly eradicated when she partners with an experienced undercover cop played by Jason Patric. The latter long ago decided that he must personally use illegal drugs to allay the suspicions of drug dealers. He now is a full blown addict. She inevitably finds herself in a predicament where a drug lord demands at gunpoint that both undercover officers use drugs in his presence. Moral compromise is not an option but a mandatory necessity. A very fine supporting performance is given by Max Perlich as the snitch forced to betray his close friends. Perlich deserved at least an Academy Award nomination. Greg Allman should also do more film work. Allman is more than apt portraying the wise and cautious drug kingpin. The elected officials and top police bosses are willing to violate their ethics and decency to put him behind bars. The plot of “Rush” revolves around the efforts to achieve this goal.

It would be a mistake to conclude that only Texas has such troubles. Unfortunately, the corruption of the police and court systems resulting from our current drug laws continues unabated throughout our country. Cynicism is rampant and widely held is the view that the end justifies the means; the law should never get in the way of busting drug offenders. The Constitution of the United States is perceived as a document not worthy of honor. Should we completely legalize drugs? It is neither the purpose of this review or the filmmakers to thoroughly deal with that divisive issue. Nevertheless, “Rush” will challenge you. I give it a five star rating. Make sure you view this film at least once. You might even choose to send a copy to your favorite politicians.

This film is excellent in that it captures a mood and atmosphere that was real. The film is based on Kim Wozencraft’s book, “Rush.” She was the female undercover cop portrayed by Jennifer Jason-Leigh. She changed the name of the town and other names too, to avoid lawsuits, I’m sure, but those of us who lived in Tyler, Texas in the late 1970s, know that is where the real drug bust happened because we were here.

The only complaint I have is how they had the waitresses in the so-called Driller’s Club dress in Cowgirl outfits. The waitresses in North East Texas rock clubs during the 1970s did NOT dress like that. They were rock clubs, not country western clubs. But overall, the dress, the music, was very right on target, true to the times, and the circumstances.

I have to add that Jason Patric’s performance was fantastic. You believed he was that strung out guy. Why did he remind me of Dennis Miller the first time I saw him in this film? A better looking version of Dennis Miller, I might add. Also, Greg Allman is perfect as the elusive Will Gaines.

If you want to watch a film based on a true story (except for some creative exceptions here and there) that also raises some disturbing questions, get this video. Its riveting.
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Filed under: 28 Days — Tags: , , , , — robertobooth1975 @ 7:11 am
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Director Betty Thomas has achieved something rare: A novel movie that tackles a serious utter and emerges with it’s tastefulness intact. “28 Days” has the position of a drama, the soul of a comedy, the feel of a documentary and a extraordinary performance by Sandra Bullock that gives each genre a situation in the radiant mix of this astonishing movie.

Bullock is Gwen Cummings, an alcoholic, pill popping journalist who is sentenced to employ 28 days in a rehab center she drunkenly steals a limo and crashes it into a house. Leaving unhurried her boozy British boyfriend Jasper (superbly played by Domonic West), Gwen soon finds the aid and plan of her eccentric and often hilarious unusual neighbors. There’s Eddie (Viggo Mortensen), the washed up baseball player who’ll sleep with anyone; Oliver (Mike O’Malley), the wisecracking Park Avenue pot addict; Andrea (Azura Skye), a young woman addicted to drugs and a preposterous soap opera called “Santa Cruz,” which she eventually turns everyone on to; and Gerhardt (Alan Tudyk), the wacky German. “28 Days,” unlike an “Erin Brokovich” where one star dominates, is an ensemble film that allows a variety of talents to shine. And with a cast of this caliber, sometimes that shine rivals the stars themselves in brightness.

Despite many amusing moments, it’s the dramatic aspects of “28 Days” that invent it mammoth. When Gwen becomes so desperate for her pills that she jumps out the window to pick up some she threw away earlier, the obsessiveness and despair of dependency are captured at their most shining. Then there’s her haunted relationship with her sister Lily (sensitively portrayed by Elizabeth Perkins), who can’t determine whether she wants to give up on the woman who has never been there for her, or stand by her in the hope that she will reform, risking having her heart broken yet again.

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It’s because Bullock and screenwriter Susannah Grant have made Gwen such a likable character that these situations have right bite. Sine we can’t resolve whether we savor her or detest her, we sustain watching the movie on the edge of our seats, searching for something that will proove to us once and for all what Gwen Cummings is. The movie wisely avoids giving us a straight acknowledge to that and many other questions, allowing the viewer instead to perform their contain decisions and develop their absorb relationaships with the characters and the things they encounter.

“28 Days” is a triumph for all alive to. There’s nothing better for a cynical critic like me then proof on the camouflage that films bewitching stories with spicy characters are level-headed being made. Perhaps the best news of all is the resurrection of Sandra Bullock’s career after three flops in a row. If she continues to prove such wise judgement in choosing her projects, this awful man’s Julia Roberts may be topping the A-list once again.

Sandra Bullock is the industry’s current girl next door, great to her have well-reported chagrin. But there is unprejudiced something about her that exudes “next-door” charm, whether or not she supports the label’s overuse. Maybe it’s because she’s such a gem of a person, especially compared to the coldness of many of today’s mammoth stars.

So when you are about to scrutinize this film you will anticipate that it be light-hearted, not serious, in other-words, totally Sandra. But the only thing light-hearted about the movie are the circumstances several of the supporting cast members score themselves into. Sandra plays this alcoholic with all of the angst she’s got. And it’s a heck of a lot more than anyone would have pegged her for.

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So is she depressing to look like this? Yes and no. Depressing because, based on those noxious preconceptions us indolent viewers have, you’re waiting for her to jump out and say “Fair kidding!” throughout the movie - her usual style - and, to everyone’s surprise, she really doesn’t. She gives every ounce of credibility and intensity to a role that many would like to write off simply b/c it is too hard to change one’s preconceptions.

I am so aroused when I stumble upon a performance, such as this one, that allows me to deepen my respect for an actor. Sandra has deepened everyone’s respect with this role. She is a consummate professional actress: She plays every role as if it were herself and only herself on the conceal.

And hey, even if it IS only acting, she fooled me . . .
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February 10, 2010

Streaming Love Affair Online

Streaming Love Affair Online. Streaming Love Affair Online.

Movie Title: Love Affair
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Love Affair is available for streaming or downloading.

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I have seen An Affair to Remember long before I watched Love Affair. Altho “An Affair…” became one of my favorite classics (along w/ Gone with the Wind and Casablanca), I personally prefer Love Affair because i was more moved by it. the actors are brilliant, especially Ms. Bening, whose eyes captivate the audience. she just GLOWS in it and Mr Beatty is effortless in playing himself. they give the film a sense of reality. the movies basks the audiences in feeling of excitement, despair and hope of falling in love. it’s a classic. so yeah, don’t forget the box of tissue. i can’t get enough of this film!

“Love Affair” is a remake of an “Affair to Remember” which was made popular because it was rather important in the plot of “Sleepless in Seattle.” Just to make it more interesting, “Affair to Remember” was a remake of the original “Love Affair.” Warren Beatty plays Mike Gambril, an ex-football star (an obvious allusion to Beatty’s “Heaven Can Wait,” which was a much more successful remake of an older film) who meets Terry McKay, played by Annette Benning, on a flight to Sydney. The plane is forced down and the two end up on a slow boat back to civilization. Both are engaged to other people, but since these two are married in real life and since very few people will have seen “Love Affair” without having seen or heard about the earlier versions, it is pretty clear this is not going to work out. But they want to take time to be sure, and so an ill-fated rendezvous at the Empire State Building is set up to confirm their destinies.

Katharine Hepburn’s performance as Michael’s Aunt Ginny is touted on the box cover, not just because “Love Affair” proved to be the final theatrical film in her storied career (she did appear in one more made for television movie), but because she steals the show in her brief scene. Hepburn is abetted in this effort by the local, a glorious beautiful South Pacific island as lush and as a green as any you have ever seen. There is also a wonderful set up for her scene, where Beatty asks Benning to go see his aunt and the couple take a series of scenic jaunts to the mountainside home, punctuated by Benning’s comic asides. The role of the hero’s aunt has always been a wonderful character piece for an older actress in every one of the film versions of this story, but certainly Hepburn is given more interesting things to say. For those who are shocked to hear Hepburn use foul language, you should remember that thirty years earlier she was probably the first person to say the word “fornication” on film in “The Lion in Winter.” As Ginny explains her perspective on what type of bird Beatty happens to be and what that means for his future, there is no difference between Benning and her character, both of whom are clearly basking in Hepburn’s presence.

As always, Beatty surrounds his main characters without outstanding supporting players, from Kate Capshaw and Pierce Brosnan as the original intendeds with whom no one can find fault, to Brenda Vaccaro and Paul Mazursky as other couple on the boat, to Garry Shandling and Harold Ramis as Mike’s agent and financial adviser, to Chloe Webb as Terry’s confidant after “the accident.” If, in the final analysis, Beatty is not up to the pivotal moment in the climax where the pieces come together, then it is because the memory of Cary Grant’s performance in the previous remake is just too overwhelming. Certainly Benning shines throughout the film, so there is no doubt why he is after her even if the opposite is established more by Beatty’s reputation, wonderfully established in a series of news flashes in the film’s opening, than by anything the actor actually does in the film itself. He looks good, but she looks great and you end up thinking Beatty remade this film not just because its story hits home to him but also because he really wants to show off his wife. Ultimately it is the women in this film who redeem it and make it more than what Annette and Warren did on their summer vacation, although the fact that the woman is the more appealing character this time is probably not enough to make it come out ahead of the Grant/Kerr version for most of us.
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February 6, 2010

Watch Mickey Mouse Clubhouse - Mickey’s Treat Online

Watch Mickey Mouse Clubhouse - Mickey's Treat Online. Watch Mickey Mouse Clubhouse - Mickey’s Treat Online.

Product: Mickey Mouse Clubhouse - Mickey’s Treat
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Just received this DVD today and like Mickey’s Broad Clubhouse Hunt and Mickey Saves Santa, this one is substantial and my 2 year broken-down son loves it. There are two other episodes on the DVD that we have seen on Playhouse Disney. There is the Dr. Daisy episode where Daisy tries to salvage her pretend dr. sticker and there is the Magician Goofy episode where the gang helps Goofy practice his magic tricks for the magic reveal. We’ve seen these several times before but my son mild loves to search for them. The Halloween episode is cute. I unprejudiced wish they would release more! If your tiny one is a Mickey Mouse lover then he/she will esteem this one as well, there is no doubt!!

To celebrate the upcoming Halloween season, Disney presents its third “Mickey Mouse Clubhouse” DVD thus far: the eagerly anticipated “Mickey’s Treat.”

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Suffice to say, this DVD is well worth the unusual sale note. In this DVD dwelling, there are three ‘Mickey’ episodes: the title episode(with the standard 24-minute length), the previously seen “Goofy the Sizable” (Goofy ineptly performs magic tricks with Mickey’s assist), and “Dr. Daisy,” (the gang pretend to have boo-boo’s for pretend Dr. Daisy), with the bonus of a cute “Petite Einsteins” Halloween episode thrown in for added measure. Instead of a music video this time around, there are some kiddie cooking recipes and a CD-ROM interactive feature as the special extras.

In the estimable title episode, Mickey & friends (Donald, Daisy, Minnie, Goofy & Pluto) are in costume for trick-or-treating at which time they are invited to succor troublesome pal Pete’s party. The episode subsquently shows the gang attempting to near in time the decorative Trick-or-Treat Tower for the party before the Tower’s gates lock per the magic Halloween moon (which acts as a clock of sorts) . As usual, Mickey’s mouseketools are needed for their meander, including an droll bit come the slay where Mickey displays his resourcefulness once again after Pete actually charges them ‘admission’ to his fill party (even though no one else bothers to present up) .

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Overall, I would rate the title episode as perhaps one of the finest so far in the “Mickey Mouse Clubhouse” series, in terms of wit, charm, and the implied message that sharing with others does matter (even at Halloween time) . The other two “Mickey” episodes and the “Miniature Einsteins” Halloween episode are above average. While we would rate “Dr. Daisy” as probably the weakest of the bunch, it is detached better any time than having to endure an episode of “Spongebob Squarepants.” Further, let’s give Disney some well-deserved credit this time, unlike the previous “Mickey Mouse Clubhouse” DVD’s, this DVD actually sticks to a generally consistent theme, and the presented episodes were mild relatively original.

As parents, if you are not already familiar with “Mickey Mouse Clubhouse,” we also suggest checking out the regular program first on the Disney Channel to notice if purchasing “Mickey’s Treat” is a radiant choice for your family. Having watched this program regularly with our infant son for more than a year now, our catch on “Mickey Mouse Clubhouse” is that it is a solid (and educationally beneficial) program for the youngest children to plan, in portion because it introduces various problem-solving skills (in the perform of ‘mouseketools’) .

Unlike many children’s shows floating around on television, the computer-animated “Mickey Mouse Clubhouse,” despite outward appearances, is not simply mindless entertainment. To its credit, the prove is designed for interactive participation (where the characters ask the viewers for aid) allowing youngsters to join in on the activities. Now, while the science depicted is not even remotely realistic at times (which the intended audience obviously isn’t going to care about), the show’s lawful aim is to salvage youngsters to prefer the simplest concepts like counting numbers, reading alphabet letters, idea basic logic, being nice to others, etc. Frankly, considering other potential spirited ‘role models’ provided for children today, Mickey Mouse composed remains a sure influence you can trust. “Mickey’s Treat” exemplifies that trust.

At the time of this writing, the sale tag for the DVD is $14.99, which is an exceptional bargain. Paying pudgy trace ($19.99, maybe more someday) for it might require some further concept, we consider. Composed, regardless of whatever the notice is, at least with “Mickey’s Treat,” unlike all the other Halloween goodies out there, you won’t have to grief about your kids getting cavities from it.

(Amended on 9-12-08)

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